Μάλλον δεν έχεις καταλάβει την διαφορά.. αντί να έχεις (όπως π.χ. ο roadking) 4 ανεξάρτητα σε χειρισμό, αλλά εξαρτημένα σε ήχο κανάλια, με τον revelation θα έχεις 4 κανάλια ανεξάρτητα και σε χειρισμό και σε ήχο που για να καταλάβουμε περίπου την χροιά τους ο Michael Ibrahim αναγκάστηκε να τα περιγράψει κατά προσέγγιση κάπως έτσι:boukas είπε:
More overview,....
For the preamp, i wanted to do something very different to the standard paradigm of clean, OD, high gain channels. I also wanted an amp that sounded and felt like a whole bunch of amps. This lead to the idea of designing each individual channel to follow the design philosophy of a particular family of amps. This design 'philosophy' was then extended to various gain levels. So you can almost think of each channel as a 3 channel amp in itself, where each of the 3 modes (low, mid and high gain) are a natural extension of each other.
Channel 1 is definitely Fender in heritage. It's defining feature is the position and design of the tone stack (straight after V1). There's an interesting group of amps which are built off this topology, like the Mesa mark series and the Dumble amps. Their main tonal characteristic their ability to change the feel of the OD by varying the tone controls. This is what the Revelation's Channel 1 does in the high gain mode.
Channel 2 is more Marshall in character. For the clean, think the '45. There are no strange humps in the frequency response. For the higher gain modes, as opposed to following through into 'modern' territory, I kept things fairly vintage in vibe. The Mid and High gain sounds are really fat and spongy. The Mid gain mode, in particular is very reminicent of the Crunch Channel on the X88R.
Channel 3 is meant to capture the sound of hotrodded Marshalls, in the vein on Splawn, Bogner, Jackson etc. The clean is very tight, the mid gain is like a supped up 800, and the high gain is just gorgeous and woody.
Channel 4 is can be thought of as belonging to the group of modern "US" amps (and US voiced), like Soldanos, Rectos etc. From a technical persepective, these amps do something interesting with their channel's frequency response. They have a decent low end response, lot so low/mid and mids, then very attenuated top end (all 'before' the OD). This makes them sound very grunty in high gain settings. Projecting this back to the low gain, Channel 4's clean mode is a very dark 'jazz' tone. The mid gain is a very boomy fat crunch, and the high gain is,... well,.... what you'd expect. I've voiced this channel a little bit tighter than these US amps, after having had the pleasure of playing a VH4 last year in the US, and being blown away by the tight delivery of that amp's gain.
The final detail on the preamp is high mode gain trim. I personally think the amp has more gain than anyone should need, but I know that there will always be people out there who want more. So I built in a 'hot-rod' into the high gain mode. This control is located on the back of the amp. With this knob you can add another 20db of gain to the high gain modes of all 4 channels,.... for those who need that extra push over the cliff,...
Άρα μιλάμε για 4 κανάλια με διαφορετικό τελείως σχεδιασμό που το καθένα λειτουργεί σαν ξεχωριστός 3 κάναλος ενισχυτής!! δεν νομίζω να το έχεις ξαναδεί κι αυτό...
