€ 4,800
Brand
Focal
Model
SM9
Zustand
Gebraucht - Neuwertig
Land des Herstellers
Frankreich
Land
Greece
Staat/Region
Thessaly
Stadt
Larissa
Referenznummer
NOIZ618122
Austausch akzeptieren
Nein
Beschreibung
The Focal SM9 is an active 3‑way (or switchable 2‑way) studio monitor designed for professional mixing, mastering and critical listening. It combines powerful internal amplification with high‑quality driver design to deliver extremely wide frequency response, detailed midrange and deep bass — making it suitable for both small‑ and large‑scale audio production environments.
Technical & configuration details:
Drivers: 1" pure Beryllium inverted‑dome tweeter (HF), 6.5" Focal “W” composite cone midrange driver (MF), 8" Focal “W” composite cone low-frequency driver (LF), plus an 11" Focal “W” composite passive radiator for extended bass response.
sweetwater.com
+2
Audiofanzine
+2
Amplification: Class‑AB internal amplifiers — 400 W dedicated to bass/sub frequencies, 100 W to midrange, and 100 W to the tweeter/high frequencies.
sounddd.shop
+2
Athens Pro Audio
+2
Frequency response: In 3‑way mode: 30 Hz–40 kHz (± 3 dB) (and 40 Hz–20 kHz at ± 1 dB). In 2‑way (Focus) mode: 90 Hz–20 kHz (± 3 dB).
images.thomann.de
+2
bhphotovideo.com
+2
Maximum SPL: 116 dB (peak @ 1 m) in 3‑way mode; 106 dB (peak @ 1 m) in 2‑way mode.
Studio Economik
+2
sweetwater.com
+2
Input: Balanced XLR input, electronically balanced, input impedance 10 kohms; input sensitivity adjustable between +4 dBu and –10 dBV.
bhphotovideo.com
+2
studio-22.com
+2
Controls & adjustment: On‑board equalization/tilt — including low‑frequency shelving (30–250 Hz), high‑frequency shelving (4.5 kHz–40 kHz), as well as selectable high-pass crossover (full‑range, 45/60/90 Hz), low‑, low‑mid and mid‑band EQ (at 50 Hz, 160 Hz, 1 kHz). Also a “Focus” mode switch for toggling 2‑way vs 3‑way operation.
studio-22.com
+2
Audiofanzine
+2
Construction: Cabinet built with internally‑braced panels (22 mm / 30 mm), black body with natural veneer on top and bottom panels.
sweetwater.com
+1
Use‑cases & practical considerations:
Because of its wide frequency response and high SPL capability, SM9 is ideal for mixing and mastering audio where accurate, full‑range monitoring is required — from deep sub‑bass to extended high frequencies.
The dual‑mode (3‑way / 2‑way) design is useful to simulate how mixes will translate on
Technical & configuration details:
Drivers: 1" pure Beryllium inverted‑dome tweeter (HF), 6.5" Focal “W” composite cone midrange driver (MF), 8" Focal “W” composite cone low-frequency driver (LF), plus an 11" Focal “W” composite passive radiator for extended bass response.
sweetwater.com
+2
Audiofanzine
+2
Amplification: Class‑AB internal amplifiers — 400 W dedicated to bass/sub frequencies, 100 W to midrange, and 100 W to the tweeter/high frequencies.
sounddd.shop
+2
Athens Pro Audio
+2
Frequency response: In 3‑way mode: 30 Hz–40 kHz (± 3 dB) (and 40 Hz–20 kHz at ± 1 dB). In 2‑way (Focus) mode: 90 Hz–20 kHz (± 3 dB).
images.thomann.de
+2
bhphotovideo.com
+2
Maximum SPL: 116 dB (peak @ 1 m) in 3‑way mode; 106 dB (peak @ 1 m) in 2‑way mode.
Studio Economik
+2
sweetwater.com
+2
Input: Balanced XLR input, electronically balanced, input impedance 10 kohms; input sensitivity adjustable between +4 dBu and –10 dBV.
bhphotovideo.com
+2
studio-22.com
+2
Controls & adjustment: On‑board equalization/tilt — including low‑frequency shelving (30–250 Hz), high‑frequency shelving (4.5 kHz–40 kHz), as well as selectable high-pass crossover (full‑range, 45/60/90 Hz), low‑, low‑mid and mid‑band EQ (at 50 Hz, 160 Hz, 1 kHz). Also a “Focus” mode switch for toggling 2‑way vs 3‑way operation.
studio-22.com
+2
Audiofanzine
+2
Construction: Cabinet built with internally‑braced panels (22 mm / 30 mm), black body with natural veneer on top and bottom panels.
sweetwater.com
+1
Use‑cases & practical considerations:
Because of its wide frequency response and high SPL capability, SM9 is ideal for mixing and mastering audio where accurate, full‑range monitoring is required — from deep sub‑bass to extended high frequencies.
The dual‑mode (3‑way / 2‑way) design is useful to simulate how mixes will translate on
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