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Keith Richards used his "fuzzbox," but he also played clean guitar during the song, with Brian Jones strumming an acoustic throughout. This meant that Keith had to switch between his two tones during the song, as multiple tracks were sparse back then and overdubs rare. If you listen to the song at :36 you will hear Keith switching on his fuzz with an audible click, just between Jagger's "get" and "no." At about 1:35, Keith is stomping his fuzz too late, slightly missing his cue, ending up playing the riff a little behind. At his next cue (2:33) he probably wants to be sure that his fuzz is on, so you can hear a short but audible fuzz note (accidentally?) played before the actual riff and slightly before Jagger's "I can't get."

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Keith Richards used his "fuzzbox," but he also played clean guitar during the song, with Brian Jones strumming an acoustic throughout. This meant that Keith had to switch between his two tones during the song, as multiple tracks were sparse back then and overdubs rare. If you listen to the song at :36 you will hear Keith switching on his fuzz with an audible click, just between Jagger's "get" and "no." At about 1:35, Keith is stomping his fuzz too late, slightly missing his cue, ending up playing the riff a little behind. At his next cue (2:33) he probably wants to be sure that his fuzz is on, so you can hear a short but audible fuzz note (accidentally?) played before the actual riff and slightly before Jagger's "I can't get."

 

εύγε

 

η έξτρα φαζ νότα ("μπζζτ" ή "νιέρκ") στο 2:33 είναι γαμάτη  ;D

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Κάτι αντίστοιχο (άσχετος ήχος που πέρασε στην ηχογράφηση) είχα παρατηρήσει στο sunshine of your love.

 

Λεπτομερεια στο Sunshine of your love των Cream in Μουσική & Μουσικοί - Page 1 of 4

 

Επίσης, χαρακτηριστικό "κλίκ" απο τον διακότπη της Nancy ακούγεται σε μια έκδοση του The Messiah will come again, όταν ο Roy γυρνάει σε Bridge...

 

 

Φαντάζομαι υπάρχουν κι άλλα. Αν ακούς με ακουστικά είναι σίγουρα ευκολότερο να "πιάσεις" τέτοια πράματα.

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