Μodulus.002 synth

[Waterfall-K]

Μodulus.002 - ενα νεο υβριδικο synth απο την Αγγλικη εταιρια Modulus Music.

 

 

Breakthrough "Modulus.002" takes British synth power polyphonically to world stage

 

BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modulus is proud to announce availability of "Modulus.002" — the first analogue/digital hybrid polysynth to have been designed, developed, and manufactured in the UK for four decades — as of July 10…

 

Even though the technology for mass-market synthesizers was patently pioneered in the UK in the leafy London suburb of Putney at the tail end of the Swinging Sixties, the last time that a polyphonic/multitimbral analogue synthesizer was designed, developed, and manufactured in the UK — actually within Wales — was way back in the late Eighties.

 

It is with utmost pride, therefore, that Bristol-based Modulus has not only succeeded in bringing back that pioneering spirit to Blighty with the mighty Modulus.002 but has admirably succeeded in doing so by creating an amazing modern-day musical instrument that truly represents one giant leap for ‘synthkind’ with a sizeable number of notable new features to its innovative name.

 

 

No easy task in climatically cynical conditions during an era of increasingly shortened attention spans, synth-wise or otherwise. Been there, done that, bought the (Moog) T-shirt, some might cynically say! Yet surely soothsaying is a better bet in this case? Why? Well, Modulus.002 even sports some world firsts! So what makes Modulus.002 tick, then, and what, exactly, is it that makes it so special in comparison to today’s commercial and ‘boutique’ offerings from other manufacturers, both bigger and smaller? Let’s look at some straightforward facts for starters…

 

As an analogue/digital hybrid keyboard synthesizer (using an aftertouch-enabled premium Fatar semi-weighted, five-octave key mechanism), Modulus.002 provides 12 discrete voices of polyphony with full multitimbrality if so desired. As such, it features two NCOs (Numerically-Controlled Oscillators) per voice for exceedingly high resolution and stability with wide-reaching waveform selections, together with two sub-oscillators, individually (and uniquely) switchable from a traditional square wave to having the same waveform as the main NCO to effectively produce four oscillators per voice.

 

 

A Modulus-designed 24dB/octave fourpole transistor ladder filter featuring some very unusual morphing or ‘polesweeping’ effects, enabling ear-opening transitions from 24dB/octave four-pole to 6dB/octave one-pole filtering and anywhere in between.

 

One LFO per voice as well as a global LFO; wide-ranging modulation options, all accessible directly via the front panel — no navigating convoluted and confusing menus.

 

A pure analogue signal path from the oscillators right the way through to the combined XLR/TRS balanced/unbalanced outputs (with all 12 voices individually available for external processing via a dedicated D-Sub connector)

 

Two audio inputs enabling internal audio processing from the VCF onwards…and that’s only scratching the surface. Not literally, of course! While all voice control parameters are accessible via a well-thought-through front panel that is both attractive and intuitive in use thanks to sticking to traditional synthesizer workflow, what lies beneath is really remarkable. Radically departing from the norm, Modulus.002 is blessed with an unrivalled user interface based around a high-quality 4.3-inch screen with wide viewing angle.

 

 

It is context sensitive, whereby the control parameter of any control knob touched by the user is immediately displayed onscreen. Synthesizer savants and audio aficionados will surely unite in their appreciation of the sonic depths that this well-specified speedy dream machine can deeply dive into! Forget about an analogue renaissance here, however; let’s talk truly revolutionary design features for a moment. Modulus.002 represents a unique approach to synthesizer design, taking traditional analogue circuitry combined with modern, reliable digital developments and marrying it all to a completely new control platform.

 

Phenomenally, Modulus.002 brings cloud functionality to a synthesizer for the first time! The Ethernet port means Modulus.002 can be connected to a network to enable updates via the Internet — no more MIDI SysEx dumps to get you down in the dumps — and access to the modulus.cloud means user profile settings, sound patches, sequences, and other content can be easily replicated to a cloud-based server platform to enable rapid resynchronisation to another Modulus.002, regardless of whether it is owned by the same user or a collaborator at a remote location.

 

 

Let’s be honest here. We’re well into the 21st Century now, so why not provide Modulus.002 users with data management features that are expected as the ‘norm’ in modern consumer technology devices, yet have hitherto eluded the electronic musician? Makes sound sense to the Modulus team, that’s for sure! And we’re sure it will make sound sense to Modulus.002 users, too.

 

So what other notable Modulus.002 features are worth making a song and dance about? An inbuilt MIDI-sync-able 16-track, 12-row, 32-step sequencer with 16 front panel-positioned step-time editing controls can give any hardware rivals already out there a serious run for their money. For sequences can not only be transposed dynamically while running but sophisticated so-called ‘mini arpeggiator sequences’ created using the arpeggiator’s Hold mode can be speedily saved as sequences for latter recall and editing using the sequencer.

 

Moreover, Modulus.002’s Animator allows any control to be sequenced, enabling complex filter transitions, waveform changes, and modulation matrix changes to be sequenced. Lest we forget, 12 ‘quick recall banks’ are accessible directly from dedicated front panel buttons. Build up set lists of presets, sequences, and animations, making Modulus.002 a live performance partner par excellence. Plain and simple? Far from it, it seems!

 

 

So who better qualified, then, to explain the whys and wherefores of taking a truly thrilling synthesizer design from the drawing board to an equally enthralling production-ready product launch like this in under a year than company co-founder and principal designer Paul Maddox, a top-tier talent with proven production pedigree, best known within the synthesizer industry for his well-received MonoWave, a limited-run, 19-inch rack-mountable, MIDIcontrollable monosynth inspired by Germany’s legendary PPG Wave series — arguably amongst the most coveted high-end synthesizers of the early Eighties — featuring two digital oscillators with 256 samples per waveshape and an analogue 24dB transistor ladder filter, as well as his more recently-released VacoLoco range of ‘pocket synth’ designs.

 

Do tell. Why now? Why the big step up to the brave new world of Modulus.002? Muses Maddox: “This came about because I’ve had a long-held dream to build a polysynth since I was knee high. I’ve nearly got there several times, but it was a golden opportunity in July last year when my business partner, Philip Taysom, and myself sat together and said, ‘Now is a good time to do it.’

 

 

Both Philip and myself are passionate about synthesizers, and we feel that the synthesizer market has been neglected for a long time in terms of high-end, pro — in quality and feel — instruments. I quite often equate this to a PRS guitar. There is nowhere in the synthesizer industry that I’m aware of where you can go and buy the equivalent of a PRS. That’s what we’re aiming at — top quality, top to bottom.”

 

So there you have it, folks. With top-quality components sourced and designed throughout its robust, road-ready construction coupled with upmarket design flourishes like leather-bound end cheeks — quite possibly another world first, Modulus.002 is a fighting force to be musically reckoned with. British synth power is alive and kicking, and Modulus has just fired its impressive opening synth salvo that more than lives up to its Machines for Musicians tagline. It’s aim is true, so watch this space…

 

 

Specs:

 

* Modulus.002 provides twelve discrete voices of polyphony with full multi-timbrality if desired

 

* Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice

 

* Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes

 

* Modulus designed 24db per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between

 

* Two LFO’s, one per voice and one global

 

* Extensive modulation options, all accessed directly from the front panel – no menu options!

 

* Modulus.002 features a range of sequencing options – a built in 16 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running

 

* A very highly featured arpeggiator with a wide range of different modes, including modulus ‘hold’ mode, enabling arpeggiator-based sequences to be created

 

* The Modulus Animator, which enables any control parameter on the modulus.002 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced

 

* Superb UI, a great departure from the norm of synthesizers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed

 

* Twelve ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle

 

* VCF and VCA envelope generators

 

* Four Key Modes – Poyphonic, Monophonic, Unison and Stack

 

* Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch

 

* All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesizer work flow

 

* Pure analogue signal path with combined XLR/TRS sockets for balance / unbalanced outputs. Further, each of the twelve outputs can be brought out individually via a dedicated dsub socket

 

* Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out

 

* XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button

 

* Ethernet port to connect your modulus.002 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modulus cloud features

 

 

Και το κερασακι στην τουρτα:

European price: €3795

USA price: $5200

(prices excluding VAT and local taxes 8))

 

Παρακατω το πρωτο video review απο τον Nick Batt το οποιο ανεβηκε σημερα.

[foxxx]

Ουτε ενα ευρο δεν θα εδινα χαχαχαχαχα τετιου τυπου synth βρισκω και σε vst  :P

 

[Επισκέπτης]

Presentation by Nick Batt 

Published on October 31, 2014